Dates for winter 2018 screenings

Our 8 screening dates for the winter are confirmed. We’ll be
showing films on January 18 and 25, February 1 and 22,
March 1 (in partnership with Shadows of the Mind) and 22,
and April 5 and 19.

All films are shown on Thursdays at 7 pm at Galaxy Cinemas in
Sault Ste. Marie, Ontario.

Check back here and our schedule page, which we’ll update
as we decide on film titles.

Dates for fall season are set!

Cineplex has confirmed our 6 screening dates for the fall. We’ll be screening films on September 14 and 28, October 12 and 26, and November 8 (note this screening is on a Wednesday) and 23.

All films are shown at 7 pm at Galaxy Cinemas in Sault Ste. Marie, Ontario.

Check back here and our schedule page, which we’ll update as we decide on film titles.

Free film on Wednesday April 19: Stories We Tell

Wednesday Apr. 19 @ 7:00 pm
GALAXY CINEMAS / Sault Ste. Marie

To celebrate National Canadian Film Day 150 admission is free
for this film, presented as part of Canada on Screen,
TIFF’s year-long programme celebrating Canada 150.

Director: Sarah Polley
Canada 2012
English / 108 minutes
Rating: PG-13 (for thematic elements involving sexuality,
brief strong language, and smoking)

Polley examines the elusive nature of truth and memory through the varying narratives of her family as they look back on decades-old events. The combination of “archival” footage, still photos, and
testimonials creates a captivating visual assemblage, and the
responses from the storytellers are heartfelt and revealing. The
result is a lively and richly textured documentary that seamlessly
blends past and present, the real and the imagined. Filled with
tender and powerful moments, the film is a personal essay on how
our narratives shape and define us as individuals and as families.

Stories We Tell is one of those movies you watch on a screen and replay in your head for days, moving between its many levels of inquiry and touched, always, by Polley’s compassion toward her relatives in
particular and people in general.
Ty Burr, Boston Globe

What Polley unearths is a well of emotion and one of the most powerful new films I’ve seen in recent memory. Corey Atad, Movie Mezzanine

Simply the most enthralling, idiosyncratic and entertaining family
memoir around.
Rima Sabina Aouf, Concrete Playground

April 20: The Red Turtle

Thursday Apr. 20 @ 7:00 pm / GALAXY CINEMAS / Sault Ste. Marie

Director: Michael Dudok de Wit
France/Belgium/Japan  2016
No dialogue / 80 minutes
Rating: PG

Shipwrecked on a deserted island, a man struggles to find his place in this new world. The basics for survival are abundant yet
frustratingly out of reach, and danger lurks in the smallest of
crevices. And every escape attempt is thwarted by an enormous sea turtle that seems intent on having him stay. A tale told with a classic simplicity that belies its emotional power, The Red Turtle luxuriates in the magic of life and the cycles of nature. Nominated for Best
Animated Feature Film at the 2017 Academy Awards.

Michael Dudok de Wit’s hypnotizing, entirely dialogue-free The Red
Turtle is a fable so simple, so pure, it feels as if it has existed for hundreds of years, like a brilliant shard of sea glass rendered smooth and elegant
through generations of retelling.
Peter Debruge, Variety

Presented with short film Blind Vaysha

Blind Vaysha
Director: Theodore Ushev
Canada 2016
English / 8 minutes

The tale of a girl who could see the past with her left eye and
the future with her right eye, but who could not see the present.
Nominated for Best Animated Short Film at the 2017 Academy Awards.

April 6: Elle

Thursday Apr. 6 @ 7:00 pm / GALAXY CINEMAS / Sault Ste. Marie

Director: Paul Verhoeven
France/Germany/Belgium 2016
French with English subtitles  / 131 minutes
Rating: R (for violence involving sexual assault, disturbing sexual content, some grisly images, brief graphic nudity, and language)

Perennial provocateur Paul Verhoeven’s latest offering is sure to have audiences squirming. A high-powered businesswoman, Michèle (Isabelle Huppert) seems indestructible. After being raped she returns to her normal routine, apparently unaffected. But the brutal sexual assault elicits both dreams of revenge and erotic
fantasies. Huppert’s ascetic approach to her portrayal of Michèle is
masterful as she navigates the hectic labyrinth of her life like a ship
cutting through thick fog. A film that is likely to stay with you long
after the credits roll.

High-risk material yields unexpected rewards in this remarkable rape-
revenge drama, a possible career high for Paul Verhoeven.

Guy Lodge, Variety

Elle is a mysterious puzzle, not mainly about whodunit plot points, but the far more titillating question of who people truly are and what they’re capable of. Colin Covert, Minneapolis Star Tribune

Huppert is phenomenal in her most unnerving performance since Michael Haneke’s The Piano Teacher. Ty Burr, Boston Globe

Mar. 30: Paterson

Thursday Mar. 30 @ 7:00 pm / GALAXY CINEMAS / Sault Ste. Marie

Director: Jim Jarmusch
USA 2016
English / 118 minutes
Rating: R (for some language)

Paterson (Adam Driver) works as a bus driver in Paterson, New
Jersey and his life is a repetitive routine. His wife Laura (Golshifteh Farahani), as even-tempered as her husband, is a perfect match. They’re just an ordinary couple in an ordinary small city. But there’s more beneath the surface of these two. Each morning Paterson scrawls a poem in his notebook, and each evening Laura welcomes him home with a new and quirky surprise. An offbeat meditation on the couple’s desire for creative self-expression, Paterson is a
rewarding slow burn of a film.

Paterson’s life sounds like it would be pretty dull to live through, let alone watch in a movie. But in writer-director Jim Jarmusch’s hands, Paterson becomes a fascinating and enthralling film that finds magic in the
mundane.
Rob Thomas, Capital Times (Madison, WI)

The different Patersons combine into a terrific take on love’s abiding worth, the mechanics of creativity and the strength of community. The film has Jarmusch’s trademark deadpan deliberation, but it’s also
possessed of a great and genuine heart.
Craig Mathieson, The Sunday Age

Poetry is about taking the realities of your life and the complexities of your mind and heart and transforming them into something beautiful and pure, and that’s exactly what Jarmusch does with Paterson. It’s
lovely stuff.
Daniel Barnes, Sacramento News & Review